Series 3. Printed Materials

Container List

Milton Glaser Design Archive > Seymour Chwast Collection > Series 3. Printed Materials
LOC TITLE DATE

B 4

Boston Globe Magazine. General Hospital For Animals (sick cow), 12 ½ in W x 10 in H1982

B 4

Sophisticated Traveler. 20th Anniversary Issue (silhouettes with luggage) tearsheet, 12 in W x 9 ½ in H2003

B 4

Male / Female Shoes, 12 ½ in W x 9 in H

B 4

United Airlines Hemispheres (baseball player and clouds) tearsheet, 11 in W x 8 in H1997

B 4

Los Angeles Times. West magazine (Giants pitcher) tearsheets, 13 ½ in W x 10 in H1970

B 4

Censorship (Statue of Liberty with torch in lampshade) tearsheet, 8 in W x 11 in H1986

B 4

New York Times Magazine. Secession of the Successful (R. Reich) tearsheet, 12 ½ in W x 10 in H1991

B 4

“A” Education print, 17 in W x 14 in H

B 4

Groucho (O Series), 8 ½ in W x 10 ½ in H

B 4

Graphis 197, Volume 34 (Nov/Dec 1978). Chwast: A Hundred Heads reprint brochure1978

B 4

Signet. Peer Gynt by Henrik Ibsen, Mardi by Herman Melville, The Possessed by Fyodor Dostoyevsky1964

B 4

Graphis 197 (1978). Cover (Palette/pen) 1978

B 4

My Home Is My Castle (blimp/ice cream) mounted magazine spread with German text

B 4

Garden of Eden illustration

B 4

Bacon/Magritte/Sottsass (Cars depicted in the styles of artists) tearsheets from unknown magazine in German, 12 in W x 18 in H

B 4

Unknown magazine, likely Frankfurter Allgemeine Magazin Pharoah tearsheets, 12 in W x 18 in H

B 4

Unknown magazine, likely Frankfurter Allgemeine Magazin (house truck) tearsheets, 18 in W x 12 in H

B 4

Wiener Stadtmuseum fr Psychoanalyse (house in the shape of a head) tearsheet, 10 in W x 7 ½ in H

B 4

Audience magazine issue 1. Schmeel Goes To Warsaw (man and woman dancing, repeated in scale) tearsheet, 9 in W x 12 in H1971

B 4

Basie/Getz - Count Basie and Band / Stan Getz and Quartet flyer, 6 in W x 12 in H

B 4

Lustrare Gallery. Life magazine sculpture gallery opening announcement, 8 ½ in W x 5 ½ in H

B 4

Giraffics Gallery (man in hat) gallery opening announcement, 8 ½ in W x 5 ½ in H

B 4

Giraffics Gallery (car) gallery opening announcement, 8 ½ in W x 5 ½ in H

B 4

Mike Kisslinger Gallery opening announcement1995

B 4

Spectrum magazine number 22, 1978 (artist’s tools stuck into drafting table), 8 in W x 10 ½ in H1978

B 4

Push Pin’s New Line - Push Pin Studios at California State University, Fullerton exhibition catalog, 9 in W x 8 in H1978

B 4 F ƒ

McDonald’s. Happy Meal packaging1979

B 4

New York Times Magazine. Ma Bell Goes To War (marching soldier in the shape of a telephone), 13 in W x 10 ½ in H1976

B 4

New York Magazine September 13. 1971. Driving Out The Demons , 8 ½ in W x 11 in H1971

B 4

Art Directors Club. Hall of Fame 1986 brochure, 8 ½ in W x 11 in H1986

B 4

New York Times Magazine / Sophisticated Traveler Travel Writing (March 13, 1983) (figures as luggage), 12 ½ in W x 11 in H1983

B 4

New York Times Book Review February 10, 2002. Not The Same Old Abe tearsheet, 11 in W x 14 in H2002

B 4

New York Times Book Review. The Kama Sutra of Reading comic tearsheet, 11 in W x 14 in H1996

B 4

New York Times Book Review. Literary Classic Cookbooks comic with Paula Scher tearsheet, 11 in W x 14 in H1998

B 4

Holiday (September 1968). Lincoln Center tearsheet, 10 ½ in W x 13 in H1968

B 4

Perennial Classic. After Many a Summer Dies the Swan by Alduous Huxley book cover, 4 in W x 7 in H

B 4

Collier. The Left Handed Dictionary by Leonard Louis Levinson book cover, 4 in W x 7 in H1963

B 4

Frankfurter Allgemeine Magazin (August 30, 1991) (Goldilocks) tearsheet, 11 in W x 14 in H1991

B 4

Frankfurter Allgemeine Magazin (March 25, 1991) (hand/pen) tearsheet, 11 in W x 14 in H1991

B 4

Creative Education. Bushy Bride: A Norwegian Fairy Tale tearsheet, 6 in W x 8 in H1983

B 4

Atlantic Records. Herb Geller. Rhyme and Reason album cover1975

B 4

Abrams. The Left-Handed Designer by Seymour Chwast tearsheet, 11 in W x 10 ½ in H1985

B 4

Time Magazine “How Bush Decides” August 21. 19891989

B 4

Dutton. Nocturnal Vaudeville by Stephen Schneck, 6 in W x 8 ½ in H1971

B 4

Mobil/DGR/MGM. Nicholas Nickleby album cover, 12 ½ in W x 12 ½ in H1982

B 4

Graphis 102 (1962) (heads) tearsheet, 10 in W x 12 ¼ in H1962

B 4

Graphis 175 (face) tearsheet, 10 in W x 12 ¼ in H1974

B 4

Frankfurter Allgemeine Magazin (globe map made out of figures) tearsheet, 22 in W x 14 in H

B 4

Little Brown. The Last Flapper by George Zuckerman book cover, 6 in W x 8 ½ in H1969

B 4

Atheneum. Finding a Poem by Eve Merriam tearsheet, 22 in W x 8 ½ in H1970

B 4

McGraw-Hill. Almost by William Bryant (close-up of lips) tearsheet, 19 in W x 8 in H1969

B 4

Dutton. Sorcerers of Dobu by Reo Fortune book cover, 4 ½ in W x 7 ½ in H1963

B 4

Biofitness Institute. Biofitness: Inside and Out (wax paper clothes for male and female characters) brochure, 9 in W x 12 in H1983

B 4

CBS Records. Stephane Grappelli. Uptown Dance album cover1978

B 4

Houghton Mifflin. Going Away by Clancy Sigal (swooping bird) tearsheet, 6 in W x 9 in H1962

B 4

Oxymoron Volume 2. The Arts and Sciences Annual (reclining woman with painted decorations) tearsheet, 12 ½ in W x 9 in H

B 4

Harcourt Brace Jovanovich. The Girl With The Squint by Georges Simenon tearsheet, 8 in W x 19 ½ in H1978

B 4

McGraw-Hill. The Connoisseur’s Book of the Cigar by Zino Davidoff book cover, 5 ½ in W x 9 in H1969

B 4

Doubleday Science Fiction. Analog6 by John W. Campbell, 6 in W x 8 ½ in H1969

B 4

Doubleday. How To Retire At 41 by Rust Hills book jacket, 20 in W x 8 ½ in H1973

B 4

Gulliver/Harcourt Brace Jovanovich. 12 Circus Rings by Seymour Chwast mock-up with loose pages, 12 in W x 9 in H1993

B 4

Ticknor & Fields1988

B 4

Graphis Posters 83 tearsheet, 12 in W x 12 in H1983

B 5

Forbes. Forbes Fuels Your Drive: Forbes Capitalist Tool (Bugatti), 14 in W x 20 in H

B 5

Mead Library of Ideas. Push Pin Studios: Fifteen Years of Heartache and Aggravation exhibition catalog, 12 ½ in W x 12 ½ in H1987

B 5

Bushy Bride (heads in a stream), 11 in W x 8 in H

B 5

Dante’s Divine Comedy: The Diagram proof sheet, 13 in W x 15 ¼ in H

B 5

Frankfurter Allgemeine Magazin (October 7, 1988) (athletic anatomy) magazine cover, 9 in W x 12 in H1988

B 5

Ivy Hill. P Chronicles No. 1: Perfection (doll’s face) brochure, 9 in W x 12 in H

B 5

Voyager Books Seymour Chwast, “12 Circus Rings”1993

B 5

Hyperion Books. Out of the Bag: The Paperbag Players Book of Plays by Judith Martin, illustrated by Seymour Chwast book, 9 in W x 12 in H1997

B 5

Pushpin Jr. What Do Children Want? booklet, 8 ½ in W x 12 in H

B 5

Telluride Film Festival1998

B 5

Mohawk Paper Mills. Graphics Collection / Mohawk Introduces Nuance and Ultrafelt (doll’s face), 11 ½ in W x 17 in H

B 5

AdClub of the Triangle. Have you heard that Seymour’s coming to town? (three figures) poster, 15 in W x 18 in H

B 5

Telephone Menu

B 5

Pushpinoff. Ultimate: Pure Milk Chocolate and Almond Bar (brown Rolls-Royce) poster, 16 ¼ in W x 9 ½ in H

B 5

Abrams. Graphic Style by Steven Heller and Seymour Chwast (collage figure) book cover, 9 in W x 11 in H2001

B 5

Mohawk Paper Mills. Design and Style Number 7: Bauhaus, 10 in W x 12 in H1991

B 5

Mohawk Paper Mills. Design and Style Number 2: Streamline, 10 in W x 12 in H1987

B 5

Mohawk Paper Mills. Design and Style Number 6: Surrealism, 10 in W x 12 in H1990

B 5

Mohawk Paper Mills. Design and Style Number 5: De Stijl, 10 in W x 12 in H1980s

B 5

Mohawk Paper Mills. Design and Style Number 3: Paris Deco, 10 in W x 12 in H1980s

B 5

Dutton. A TriQuarterly Anthology of Contemporary Latin American Literature by Jose Donoso (totemic sculpture) book cover, 5 ½ in W x 8 in H1969

B 5

Schlemeel/Warsaw (Illustration for Audience magazine: figures dancing)

B 5

Graphics Today Vol. 2, No. 6 (November/December 1977). Article about Seymour Chwast, 8 ¼ in W x 11 in H1977

B 5

Neenah Paper. Editorial Image 1 (Man in car reading and woman) brochure, 9 ½ in W x 11 in H1986

B 5

Pushpin. Riddle Dogs: Corny Conundrums with Cute Illustrations by Seymour Chwast booklet, 3 ¾ in W x 5 ½ in H

B 5

Graphis. Profile of Seymour Chwast reprint brochure, 9 ¼ in W x 12 in H

B 5

Graphis 197, Volume 34 (Nov/Dec 1978). Seymour Chwast: 100 heads reprint brochure, 9 ¼ in W x 12 in H1978

B 5

Art Directors Club. Hall of Fame (mountain climber on geometric shapes) brochure, 8 in W x 11 ½ in H1987

B 5

Ivy Hill. P Chronicles No. 2: The Package as Object brochure, 9 in W x 12 ½ in H

B 5

Neenah Paper. Editorial Image 2 (farmer reading on tractor) brochure, 9 ½ in W x 11 in H1988

B 5

Muzeum Plakatu w Wilanowie. Seymour Chwast exhibition catalog, 8 ¼ in W x 11 ½ in H2000

B 5

Pushpin “Use Your Head” (nested heads and hats)

B 5

Push Pin Studios “Catmas” (cat smoking a pipe / pages with Santa Claus)1976

B 5

Seymour Chwast Collection Advertisement for stock images

B 5

Illustration America. Profile of Seymour Chwast with introduction by Steven Heller brochure, 9 in W x 12 in H

B 5

Pushpin Group. Cars calendar, 19 in W x 12 in H1996

B 5

Graphis. Profile of Push Pin Studios reprint brochure, 9 ¼ in W x 12 in H

B 5

Graphis 102 (1962) (portraits of designers) tearsheets, 9 ¼ in W x 12 in H1962

B 5

Graphis 175 (1974) (detail of geometric face with cigarette) tearsheets, 9 ¼ in W x 12 in H1974

B 5

Dallas Society of Visual Communications. Rough magazine, Volume 2, Issue 5 (colorized photo of Seymour Chwast with illustrations), 15 in W x 10 ½ in H1993

B 5

School of Visual Arts The Masters Series: Seymour Chwast (“Brylcreem Man”)1997

B 5

Push Pin Productions

B 5

Push Pin Studios

B 5

Horizons USA magazine Issue 25. From Push Pin Studio: A Portfolio of Design, 8 ¼ in W x 10 ½ in H1977

B 5

Coexistence. Photograph of sign (noses, mouths, eyes) card, 11 ½ in W x 7 ½ in H

B 5

Giraffics Gallery. Seymour Chwast: Painted Metal Sculpture exhibition announcement, 6 in W x 9 in H2000

B 5

Warner Paperback Company L. Rust Hills, “How To Do Things Right.” Paperback cover, 4 × 71972

B 5

Harper & Row. Allen’s Synonyms by F. Sturges Allen book cover, 7 in W x 9 in H

B 5

Collier. Fathers and Sons by Ivan Turgenev book cover, 9 in W x 7 in H

B 5

Dutton. Shorter Atlas of the Classical World by H. H. Scullard and A. A. M. van der Heyden book cover, 5 ½ in W x 8 in H1962

B 5

Dutton. Calo by Jay B. Rosensweig book cover, 9 in W x 7 ¼ in H1973

B 5

Idea 227 (1991) (heads and hats) tearsheet, 8 ¾ in W x 11 ¾ in H1991

B 5

Paper Mache Woman positive transparency, 8 in W x 10 in H

B 5

Decorative Head positive transparency, 3 ½ in W x 4 ½ in H

B 5

Perennial. Oliver Twist by Charles Dickens book cover, 4 ¼ in W x 7 in H1965

B 5

New Yorker, The (December 12, 2005) (Santa Claus on melting ice-cap) tearsheet, 10 ¾ in W x 8 in H2005

B 6

Pushpin Group. The Awful Truth portfolio of printed sheets and envelope, 17 in W x 12 in H

B 6

Atlantic, The (April 1983) (Uncle Sam filled in with consumer goods) tearsheet1983

B 6

Verkeherte Welt-Oder Leiden Der Linkshnder

B 6

Audience magazine. Celery-Pepsin Gum (“Good for the nerves,” George Washington, “before and after”), 18 ½ in W x 10 ½ in H

B 6

Wer Den Gleichschritt Anstrengung Nicht Scheut (Two figures dancing)

B 6

Mondfahrt (Egyptian ship) mounted spread, 18 in W x 12 in H

B 6

N.Y. Illustration. (Steven Heller in a taxi) computer printout, 17 in W x 11 in H2001

B 6

50s Revisited Calendar (A Universe 1986 Calendar, Seymour Chwast, Steven Heller, Ernestine Miller - illustration of early rock and rollers: Elvis Presley, etc) tearsheet, 14 ½ in W x 10 ¼ in H1986

B 6

Museum of the Borough of Brooklyn. The Grand Game of Baseball exhibition brochure1987

B 6

Atlantic, The (March 1972) (bird with Roman helmet) tearsheet, 8 ¼ in W x 11 in H1972

B 6

Strathmore. Strathmore Presents Psalliotrophobia: Third in a Series of Irrational Fears (man on bicycle surrounded by mushrooms)

B 6

Strathmore. Strathmore Presents Arachnophobia: Second In A Series of Irrational Fears

B 6

Idea 134 (1976) (noses) tearsheet, 9 in W x 12 in H1976

B 6

Spick Spick 163, July 1995 (boy with birthday hat and globe, “Peace”)1995

B 6

CBS. Stephane Grappelli. Uptown Dance (copy 2) album cover1978

B 6

New York Times. Pol Pot’s Lingering Influence (April 17, 1998) (face covered with skulls) tearsheet, 14 in W x 11 ½ in H1998

B 6

Harper & Row. 1913: An End and a Beginning by Virginia Cowles (collage of antique figures) tearsheet, 8 ½ in W x 10 in H1968

B 6

Atlantic Records. Mose Allison. Your Mind Is On Vacation (Man with empty room in head) album cover1976

B 6

My Home Is My Castle (Figure with car and house), 18 in W x 12 in H

B 6

Audience magazine. Ed Wynn tearsheet spread1960s

B 6

Mexico Head - mask for press kit for 1968 Olympics in Mexico, 10 in W x 10 in H1968

B 6

CBS Records. Dan Hartman. Instant Replay album cover1978

B 6

How To Draw Seven Circles tearsheet, 8 ½ in W x 11 in H

B 6

New York Times. Morality Test mounted clippings, 8 ½ in W x 11 in H1998

B 6

Nixon In China mounted illustration, 11 in W x 14 in H

B 6

Frankfurter Allgemeine Magazin (July 31, 1992) tearsheets, 9 in W x 12 in H1992

B 6

3-Penny Opera illustration, 10 in W x 11 ½ in H

B 6

Seymour Chwast (Idea/pens)

B 6

UCLA Extension (“Summer quarter begins June 27. 1998).1998

B 6

New York Times Book Review. War And Peace: The Comic Strip tearsheet, 10 ½ in W x 12 ½ in H

B 6

New York Times Book Review. Better Endings tearsheet, 10 ½ in W x 12 ½ in H

B 6

Push Pin Graphic. Horace Fletcher (Chew Chew Soda) mounted tearsheet, 15 in W x 11 in H1967

B 6

Columbia Records. Mozart: The Last Four String Quartets / The Juilliard Quartet tearsheets, 9 ¼ in W x 12 in H

B 6

Doubleday. Happy Birthday Bach by Seymour Chwast and Peter Schickele book cover, 9 in W x 9 in H1985

B 6

New York Times Book Review. Kama Sutra of Reading tearsheet, 10 ½ in W x 12 ½ in H

B 6

Spinnen Von Gerhard Staguhn (yewllow face with spider)

B 6

Mussolini woodcut print on board, 14 ½ in W x 7 ¼ in H

B 6

Bach 3-D Glasses tearsheet, 9 in W x 9 ½ in H

B 6

Holt Rinehart Winston. The Grand Tour: A History of the Golden Age of Travel by Geoffrey Trease book cover, 16 in W x 14 in H1967

B 6

Cow pitcher (photo of glass and pitcher decorated with cow wearing glasses), 8 ½ in W x 11 ½ in H

B 6

New York Times Book Review Bookend: “Literary Classics Cookbooks” (Seymour Chwast and Paula Scher) tearsheet, 11 in W x 13 ½ in H

B 6

Doubleday. Sam’s Bar by Donald Barthelme and Seymour Chwast promotional excerpt of an illustrated novel, 7 in W x 10 in H1987

B 6

Abrams. The Left-Handed Designer by Seymour Chwast book cover, 11 in W x 10 ½ in H1985

B 6

Harcourt Brace Jovanovich. The Alphabet Parade by Seymour Chwast. Cropped promotion card, 11 in W x 9 in H1991

B 6

Harcourt Brace Jovanovich. The Alphabet Parade by Seymour Chwast promotion card, 11 in W x 11 in H1991

B 6

Audience magazine. Blatz Gum, 18 in W x 9 ½ in H

B 6

New York Times Magazine (September 7, 1975). The Fight For 60,000 a Half Minute (TV show characters) tearsheets, 10 ½ in W x 12 ½ in H1975

B 6

Abrams. Paper Pets by Seymour Chwast paperback book, 12 ½ in W x 12 in H1993

B 6

Strathmore. Strathmore Presents Batrachophobia: First In A Series of Irrational Fears (frog)

B 7

Minnesota Tribune. Minnesota Guide, Sunday May 8. 1986. Wheels (car and pedestrian) tearsheet, 13 in W x 21 in H1986

B 7

Gitanes (woman in pumps) sample, 9 in W x 12 ½ in H

B 7

Delacorte. The Pancake King by Phyllis La Farge with Seymour Chwast. Uncut signatures for children's book, folded1971

B 7

Esquire (Toulouse-Lautrec at a table) tearsheet, 17 in W x 11 in H1978

B 7

Pioneer Moss (numbered logos) mounted tearsheet, 16 in W x 10 in H

B 7

New York Times. Style page spots tearsheet, 8 ½ in W x 11 in H

B 7

Kitty Salmon (cat in fancy clothes) tearsheet, 13 in W x 16 in H

B 7

Devil in crotch promotional reproduction, 12 ¾ in W x 14 in H1991

B 7

Greenwillow. Mr Merlin and the Turtle by Seymour Chwast book cover, 8 ¾ in W x 10 ½ in H

B 7

Exposicion Universal Sevilla (flying ship and tower) promotion sheet, 11 in W x 14 in H1992

B 7

Trish and Calvin Sam’s Bar woodcut

B 7

Delacorte. The Pancake King by Phyllis La Farge with Seymour Chwast. Mounted proof spread (two pages) for children's book, 24 in W x 11 in H1971

B 7

Schweppes (World War I air combat cartoon)1969

B 7

Seven Houses (Colorful houses)

B 7

Nabisco Chewza Cookie mounted game board, 20 ½ in W x 13 in H1964

B 7

Graphic Design: New York 2. Pushpin reprint booklet, 9 in W x 12 in H1997

B 7

WPAT “Greater New York’s greater New Yorkers…” (men in yacht)1963

B 7

Frankfurter Allgemeine Magazin (May 9, 1980), 9 in W x 12 in H1980

B 7

Frankfurter Allgemeine Magazin (April 16, 1981), 9 in W x 12 in H1980

B 7

Frankfurter Allgemeine Magazin (August 7, 1992) tearsheets, 9 in W x 12 in H1992

B 7

Frankfurter Allgemeine Magazin (October 21, 1988) tearsheets, 9 in W x 12 in H1988

B 7

Xerox Honest Effort (“An exhibition of graphic design and illustration from Push Pin Studios”)

B 7

Orion Press. Salt In The Wound by Leonardo Sciascia book cover, 20 ½ in W x 13 in H

B 7

Viking David Lippincott, “E Pluribus Bang!”1970

B 7

McGraw-Hill. The Roses in Iron by William Bryant book cover, 20 ½ in W x 13 in H1967

B 7

It’s Easy To Play Piano (cat in piano) book cover, 13 in W x 20 ½ in H

B 7

Son of Elektra Son of Elektra: A Sam Magdoff Production

B 7

New York Times Magazine (February 22, 1976). Mounted spread, 20 ½ in W x 13 in H1976

B 7

Bird woodcut print, 20 in W x 13 in H

B 7

Weekend Magazine Dec. 31. 1977.(“Volkswagen Beatle 1949–1977, Rest in peace”)1977

B 7

Harcourt Brace and Company. A Dance In The Sun by Dan Jacobson book jacket, 8 in W x 6 ½ in H

B 7

Vintage Robert Graves, “I, Claudius,” and “Claudius The God” (mosaics)1977

B 7

Unknown magazine (Black cat)

B 7

Reindeer

B 7

Red Devil (Woman and demon in red outline)

B 7

Transformations

B 7

Laughing Man illustration, 8 ¾ in W x 12 ½ in H

B 7

Bahamas: Introducing the Country of 700 Islands , 18 in W x 14 in H

B 7

Forbes. Man walking on partly rolled red carpet reading Forbes tearsheet, 8 ½ in W x 11 ½ in H

B 7

Angry paint can illustration, 9 ½ in W x 11 ½ in H

B 7

Saturday Night Saturday Night, August 1982 (dresser drawer)1982

B 7

Forbes. Speed skater reading Forbes magazine tearsheet, 8 ½ in W x 11 ¼ in H

B 7

Art Direction, November 197. ("Light Fullolite Bulbs”) tearsheet, 8 ¼ in W x 11 ¼ in H1974

B 7

Simon and Schuster. Zorba the Greek by Nikos Kazantzakis (woman sitting on man’s shoulders) book cover, 5 ½ in W x 8 in H1964

B 7

Forbes. Man in suit driving tractor marked Forbes through a field of dollar bills tearsheet, 8 ½ in W x 11 ½ in H

B 7

Forbes. Forbes 500 (race car) tearsheet, 7 ¾ in W x 11 in H1984

B 7

Playboy (December 1984). Ex-Wives (man with tooth marks in neck) tearsheet, 16 ½ in W x 10 ¼ in H1984

B 7

Pennsylvania Gazette (June 1983). Naughty Mae West tearsheet, 8 ½ in W x 11 ¼ in H1983

B 7

Maze (man cutting through maze of hedges with machete), 8 in W x 11 in H

B 7

The Dial October 1981 (playing card king)1981

B 7

Unknown magazine (possibly Frankfurther Allgemeine Magazin) (Hindu diety mulitasking)

B 7

Space mining

B 7

Unknown magazine (possibly Frankfurther Allgemeine Magazin) (Strip club)

B 7

Schweppes Schweppes Bitter Orange (Charles II and Nell Gwynn)1969

B 7

Unknown magazine (possibly Frankfurther Allgemeine Magazin) (“Schwitze Narziss,” weight lifter)

B 7

Rolling Stone (“Graham Parker’s ‘Up Escalator’ is a downer”)1962

B 7

New York Magazine (September 16, 1979). Fresh Starts Special Issue: The News of Fall in New York tearsheet, 8 in W x 11 in H1979

B 7

Drunk Indian, 11 ½ in W x 9 in H

B 7

Atlantic, The (February 1972) tearsheet, 8 in W x 11 in H1972

B 7

Dutton. Coming Attractions by Sandra Berkley (man and woman) book cover, 6 in W x 8 ½ in H1971

B 7

AIGA. The Call (call for entries for the AIGA cover show), 7 ¾ in W x 11 in H1981

B 7

New York magazine (September 11, 1972). Fall Catalogue: Secrets Of The Fall Revealed tearsheet, 8 ½ in W x 11 in H1972

B 7

Pennsylvania Gazette (November 1974) (hippie hawking a bible) tearsheet, 8 ½ in W x 11 ½ in H1974

B 7

Warner R. M. Koster, “The Prince” (bald head on tire treads)1972

B 7

Saturday Review Press Josh Greenfeld and Paul Mazursky, “Harry and Tonto” (man with a cat’s face in one of his eyeglass lenses)1974

B 7

World Kay Ball Sargent, “Galley Topics” (cook with an anchor face)1966

B 7

Viking Jan Benes, “Second Breath” (face in box on corrugated texture)1969

B 7

Lincoln Center. New York’s New Center of Attraction advertisement, 19 ½ in W x 11 in H1960s

B 7

Frankfurter Allgemeine Magazin (July 13, 1984) (woman dancer and portrait of Machiavelli) tearsheet, 9 in W x 12 in H1984

B 7

Mcdougal Littell. Coping With the Mass Media by Joseph Fletcher Littell book cover, 16 ½ in W x 9 in H1976

B 7

Viola Liuzzo

B 7

Forbes (February 19, 1979) tearsheet, 8 in W x 11 in H1979

B 7

Space Driver

B 7

Hawthorne. Zabar’s Deli Book by Susan Katz, Murray Klein, Saul Zabar, and Stanley Zabar book cover, 9 in W x 11 in H1979

B 7

New York Times (April 22, 1974) (Nixon radio) clipping, 6 ¾ in W x 14 in H1974

B 7

Mr. Babbage’s Marvelous Calculating Machine illustration, 12 ¼ in W x 10 ½ in H1962

B 7

Atheneum. The Law of Primitive Man by Adamson Hoebel book cover, 5 ½ in W x 8 ¾ in H1968

B 7

Unknown publisher

B 7

Pioneer Moss. Susan B. Anthony Was Arrested For Trying to Vote mounted tearsheet, 10 in W x 12 ½ in H

B 7

Harcourt Brace Jovanovich. 1339… Or, Being An Apology For A Pedlar by Nicholas Seare (frame of figures and castle) book jacket, 9 in W x 12 in H1975

B 7

Hollander. The Jewish Quiz Book by Dan Carlinsky book cover, 5 ½ in W x 8 ½ in H1975

B 7

Opera News Vol. 33, No. 2 (September 21, 1968) tearsheet, 8 ¼ in W x 11 in H1968

B 7

Houghton Mifflin. The Good Provider: H.J. Heinz and His 57 Varieties by Robert C. Alberts book cover, 6 ¼ in W x 9 ½ in H1973

B 7

Freedom From Religion. Rhymes for the Irreverent by E. Y. Harburg tearsheet, 11 in W x 8 in H2006

B 7

Dutton. German Drama Between The Wars by George E. Wellwarth (ed) book cover, 4 ½ in W x 7 ¼ in H1972

B 7

Dutton. Kitchener by Philip Magnus book cover , 4 ½ in W x 7 ¼ in H1959

B 7

Unknown publisher

B 7

Dutton. Radhakrishnan by Robert A McDermott (ed.) book cover, 9 ½ in W x 7 ¼ in H1970

B 7

Time1980

B 7

Unknown publisher

B 7

Signet

B 7

Dutton. History of Art Criticism by Lionello Venturi book cover proof, 9 ½ in W x 7 ¼ in H1964

B 7

Simon and Schuster. The Last Temptation Of Christ by Nikos Kazantzakis book cover1960

B 7

Sony (“Sony Tape. Full Color Sound,” saxophonist and flowers)1979

B 7

CBS Records. Masterworks. The Waverly Consort album cover1962

B 7

CBS Records. In Harmony 2 (Billy Joel, Bruce Springsteen, James Taylor, Kenny Loggins, and others) four color printing on cardboard, 13 in W x 19 ¼ in H1981

B 7

Maurice Chevalier woodcut reproduction, 11 ½ in W x 17 in H

B 7

Toulouse-Lautrec

B 7

President Taft mounted woodcut reproduction , 12 in W x 18 ½ in H

B 7

Chew Chew Dishes, 15 in W x 11 in H

B 7

Push Pin Almanack. Political Issue mounted tearsheets1954

B 7

David Mackay Co. Walking Davis by David Ely book cover, 5 ½ in W x 8 ¼ in H1972

B 7

Forbes. Man in balloon tearsheet, 9 in W x 11 ½ in H

B 7

Indian Acme Beer tearsheet, 8 in W x 11 in H

B 7

Atlantic, The. (March 1982). The Police and Neighborhood Safety tearsheet, 8 in W x 10 ½ in H1982

B 7

Unknown publisher Your Cat’s Health (“Getting Rid of Parasites”; “Why and When Your Cat Needs Vaccinations”; “Looking After Your Pregnant Cat”)

B 7

Earth Cross-Section - mounted spread from a children’s book, 16 in W x 11 in H

B 7

Audience magazine Volume 2, Number 3 (May-June 1972). Cherry Bing! magazine cover, 19 in W x 22 ¼ in H1972

B 7

Push Pin Graphic No 60: Classic Car Catalog, 12 in W x 10 in H1974

B 7

New York Times Magazine (June 9, 1974) (Nixon fortress) laminated tearsheet, 11 in W x 12 ½ in H1974

B 7

Unknown

B 7

New York Times Book Review. (December 15, 1996). Nothing Could Hold Him: A new life of Houdini… tearsheet, 11 in W x 13 ½ in H1996

B 7

Forbes. Man on unicycle illustration, 9 ¼ in W x 11 in H

B 7

Unknown

B 8

DC & A Calendar page for December (Mexican wrestler in suit), 17 in W x 25 in H

B 8

Applied Graphics Technologies. Calendar page for June 1992 (Marilyn Monroe without a torso) tearsheet, 17 in W x 23 ½ in H1992

B 8

New Line Cinema. New Films For The New Audience (horses over car) promotional board, 22 in W x 17 in H1969