5.2 Continuing Education

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School of Visual Arts Archive > 5 Provost/Academic Affairs > 5.2 Continuing Education
LOC TITLE DATE
Student GuideFall 2001;Spring 2002;Fall 2002;Spring 2003;Summer 2003;Fall 2003;Spring 2004;Summer 2004;Fall 2004

Guide to Degree Study in Continuing Education (1987)1987
Guide to Degree and Certificate Programs in Continuing Education1992
Summer 1989 Program for High School StudentsSummer 1989

Bulletin - Fall 2008 (If Someone Says You Shouldn’t, Ask Them Who Should)Fall 2008

School of Visual Arts Bachelor of Fine Arts Degree Programs (stopwatch)undated

School of Visual Arts Bachelor of Fine Arts Degree Programs (tree)undated

Bulletin - Fall 1966-1967, Evening Session1966

Bulletin - Spring 1967, Evening Session1967

Bulletin - Fall 1967, Evening Session1967

Bulletin - Spring 1968, Evening Session1968

Bulletin - Summer 1968, Evening Session1968

Bulletin - Fall 1968, Evening Session1968

Bulletin - Spring 1969, Evening Session1969

Bulletin - Summer 1969, Evening Session1969

Bulletin - Spring 1970, Evening Session1970

Bulletin - Summer 1970, Evening Session1970

Bulletin - Fall 1970, Evening Session1970

Bulletin - Spring 1971, Evening Session1971

Bulletin - Summer 1971, Day Session1971

Bulletin - Fall 1971, Evening Session1971

Bulletin - Spring 1972, Evening SessionSpring 1972

Bulletin - Fall 1972, Evening SessionFall 1972

F 18

Bulletin - Spring 1973, Evening Session (”Our Times Call for Multiple Careers")Spring 1973

Bulletin - Summer 1973, Evening SessionSummer 1973

Bulletin - Fall 1973, Evening SessionFall 1973

Bulletin - Spring 1974, Evening SessionSpring 1974

Bulletin - Summer 1974, Evening SessionSummer 1974

Bulletin - Summer Experience 1974, Day SessionSummer 1974

Bulletin - Fall 1974, Evening SessionFall 1974

Bulletin - Spring 1975, Evening SessionSpring 1975

Bulletin - Summer 1975, Evening SessionSummer 1975

Bulletin - Summer Experience 1975, Day SessionSummer 1975

Bulletin - Fall 1975, Evening SessionFall 1975

Bulletin - Spring 1976, Evening SessionSpring 1976

Bulletin - Summer 1976, Evening, Saturday, and Special Day SessionSummer 1976

Bulletin - Fall 1976, Evening SessionFall 1976

Bulletin - Spring 1977, Evening SessionSpring 1977

Bulletin - Summer 1977, Evening and Special Day ProgramSummer 1977

Bulletin - Fall 1977, Evening and Weekend SessionFall 1977

Bulletin - Spring 1978, Evening and Weekend SessionSpring 1978

Bulletin - Summer 1978Summer 1978

Bulletin - Fall 1978, Continuing Education Evening and Weekend ProgramFall 1978

Bulletin - Spring 1979Spring 1979

Bulletin - Summer 1979Summer 1979

Bulletin - Fall 1979, Continuing Education Evening and Weekend ProgramFall 1979

Bulletin - Spring 1980, Continuing Education Evening and Weekend ProgramSpring 1980

Bulletin - Summer 1980, Continuing Education Special Day ProgramSummer 1980

Bulletin - Fall 1980Fall 1980

Bulletin - Spring 1981Spring 1981

Bulletin - Summer 1981Summer 1981

Bulletin - Fall 1981Fall 1981

Bulletin - Spring 1982, Continuing Education Evening and Saturday ProgramSpring 1982

Bulletin - Summer 1982, Continuing Education Day and Evening ProgramSummer 1982

Bulletin - Fall 1982, Continuing Education Evening and Saturday ProgramFall 1982

Bulletin - Winter 1983, Winter Workshops brochureFall 1983

Bulletin - Spring 1983, Continuing Education Evening and Saturday ProgramSpring 1983

Bulletin - Summer 1983, Continuing Education Day and Evening ProgramSummer 1983

Bulletin - Fall 1983, Continuing Education Day and Evening ProgramFall 1983

Bulletin - Spring 1984, Continuing Education Evening and Saturday ProgramSpring 1984

Bulletin - Summer 1984, Continuing Education Day and Evening ProgramSummer 1984

Bulletin - Fall 1984, Continuing Education Evening and Weekend ProgramFall 1984

Bulletin - Spring 1985, Continuing Education Evening and Weekend ProgramSpring 1985

Bulletin - Summer 1985, Continuing Education Day and Evening ProgramSummer 1985

Bulletin - Fall 1985, Continuing Education Evening and Weekend ProgramFall 1985

Bulletin - Spring 1986Spring 1986

Bulletin - Summer 1986 (Summer in New York)Summer 1986

Bulletin - Fall 1986, Undergraduate, Graduate, and Continuing Education programFall 1986

Bulletin - Spring 1987, Undergraduate, Graduate, and Continuing Education programsSpring 1987

Bulletin - Summer 1987, Undergraduate, Graduate, and Continuing Education programSummer 1987

Bulletin - Fall 1987, Continuing Education Evening and Weekend ProgramFall 1987

Bulletin - Spring 1988, Continuing Education Day and Evening ProgramSpring 1988

Bulletin - Summer 1988, Continuing Education Evening and Weekend ProgramSummer 1988

Bulletin - Fall 1988Fall 1988

Bulletin - Spring 1989Spring 1989

Bulletin - Summer 1989Summer 1989

Bulletin - Fall 1989Fall 1989

Bulletin - Winter/Spring 1990Winter/Spring 1990

Bulletin - Summer 1990Summer 1990

Bulletin - Fall 1990Fall 1990

Bulletin - Winter/Spring 1991Winter/Spring 1991

Bulletin - Summer 1991Summer 1991

Bulletin - Fall 1991Fall 1991

Bulletin - Spring 1992Spring 1992

Bulletin - Summer 1992Summer 1992

Bulletin - Fall 1992Fall 1992

Bulletin - Winter 1993Winter 1993

Bulletin - Summer 1993Summer 1993

Bulletin - Fall 1993Fall 1993

Bulletin - Winter 1994Winter 1994

Bulletin - Summer 1994Summer 1994

Bulletin - Fall 1994Fall 1994

Bulletin - Winter 1995Winter 1995

Bulletin - Spring 19951995

Bulletin - Fall 1995Fall 1995

Bulletin - Spring 1996Spring 1996

Bulletin - Summer 1996Summer 1996

Bulletin - Fall 1996Fall 1996

Bulletin - Spring 1997Spring 1997

Bulletin - Summer 1997Summer 1997

Bulletin - Fall 1997Fall 1997

Bulletin - Winter 19981998

Bulletin - Summer 1998Summer 1998

Bulletin - Fall 1998Fall 1998

Bulletin - Winter 1999Winter 1999

Bulletin - Summer 19991999 Summer

Bulletin - Fall 19991999 Fall

Bulletin - Winter 2000Winter 2000

Bulletin - Spring 20002000 Spring

Bulletin - Summer 20002000 Summer

Bulletin - Fall 20002000 Fall

Bulletin - Winter 20012001

Bulletin - Summer 2001Summer 2001

Bulletin - Fall 2001Fall 2001

Bulletin - Spring 2002Spring 2002

Bulletin - Summer 2002Summer 2002

Bulletin - Fall 2002Fall 2002

Bulletin - Winter 2003Winter 2003

Bulletin - Spring 2003Spring 2003

Bulletin - Summer 2003Summer 2003

Bulletin - Fall 2003Fall 2003

Bulletin - Winter 2004Winter 2004

Bulletin - Spring 2004Spring 2004

Bulletin - Summer 2004Summer 2004

Bulletin - Fall 2004Fall 2004

Bulletin - Spring 2005Spring 2005

Bulletin - Summer 2005Summer 2005

Bulletin - Fall 2005Fall 2005

Bulletin - Spring 20062006

Bulletin - Summer 2006 (Continuing Education and Courses for Credit)Summer 2006

Bulletin - Fall 2006Fall 2006

Bulletin - Winter 2007Winter 2007

Bulletin - Spring 2007Spring 2007

Bulletin - Summer 2007Summer 2007

Bulletin - Fall 2007Fall 2007

Bulletin - Winter 2008Winter 2008

Bulletin - Spring 2008Spring 2008

Bulletin - Summer 2008Summer 2008
Special Saturday Workshops in Photography Spring 2005Spring 2005

Bulletin - Summer 19951995

Bulletin - Winter 2009 (SVA to help see possibilities -- eye chart)Winter 2009

Bulletin - Spring 1999Spring 1999

Bulletin - Spring 20012001

F 2

How Bad Do You Want To Be Good?: Illustration05/2006;08/2006;05/2006;08/2006

F 16

How Bad Do You Want To Be Good?: Drawing01/2007;01/2007
SVA NYC Summer 2004, 30 x 182004
How Bad Do You Want To Be Good? (purple text), 21 x 2212/2005

F 1

How Bad Do You Want To Be Good?: High School Students, 21 x 2212/2005;08/2006

F 5

How Bad Do You Want To Be Good?: Fine Art/Painting (blank canvas), 21 x 2212/2005;01/2007

F 3

How Bad Do You Want To Be Good?: Computer Art, 21 x 2212/2005;05/2006

F 2

How Bad Do You Want To Be Good?: Art For Kids: This isn’t patty-cakes with paint, 21 x 2212/2005

F 2

How Bad Do You Want To Be Good?: Fine Art/Sculpture (marble), 21 x 2212/2005;08/2006;01/2007

F 3

How Bad Do You Want To Be Good? (green text), 21 x 2205/2006;05/2006

F 1

How Bad Do You Want To Be Good?: Graphic Design, 21 x 2205/2006;08/2006

F 6

How Bad Do You Want To Be Good?: Advertising, 21 x 2205/2006
How Bad Do You Want To Be Good?: Art for Kids: This isn’t patty-cakes with paint., 21 x 2208/2006;01/2007

F 1

How Bad Do You Want To Be Good? (red text), 21 x 2208/2006

F 10

How Bad Do You Want To Be Good?: Film Directing (woman crying in theater), 21 x 2201/2007;01/2008
How Bad Do You Want To Be Good?: Pre-College Program, 21 x 2201/2007
How Bad Do You Want To Be Good?: Photography, 21 x 2201/2007

F 12

How Bad Do You Want To Be Good?: Stone Carving (Moses), 21 x 2205/2007;08/2007

F 9

How Bad Do You Want To Be Good?: Art for Kids (teddy bear), 21 x 2205/2007;08/2007;01/2008
How Bad Do You Want To Be Good?: Film Directing (woman crying in theater), 21 x 2205/2007

F 9

How Bad Do You Want To Be Good?: Web Design (spider web), 21 x 2205/2007;08/2007;01/2008

F 13

How Bad Do You Want To Be Good?: Public Art (Your art here), 21 x 2205/2007

F 13

How Bad Do You Want To Be Good?: Business of Art (Superman with $), 21 x 2205/2007

F 11

How Bad Do You Want To Be Good?: Blacksmithing and Metal Sculpture (knight in armor), 21 x 2208/2007

F 10

How Bad Do You Want To Be Good?: Interior Design (empty room), 21 x 2208/2007;01/2008

F 12

How Bad Do You Want To Be Good?: Filmmakers Dialogue (Pan’s Labyrinth), 21 x 2208/2007

F 10

How Bad Do You Want To Be Good?: Photography (hands), 21 x 2201/2008
How Bad Do You Want To Be Good?: Digital Design (cliff), 21 x 2201/2008

F 7

Gourmet Typography: One of the 39 graphic design courses we offer. Take one. (alphabet soup), 21 x 2209/2008

F 7

Color: Learn about it in one of the 29 painting courses we offer. Take one., 21 x 2209/2008

F 7

Digital Design: One of 66 courses offered in computer art. Take one. (cliff), 21 x 2209/2008

F 7

Guerrilla Advertising: It’s covered in one of the 14 advertising courses we offer. Take one. (gorilla), 21 x 2209/2008

Bulletin - Summer 2009Summer 2009
Leave New York This Summer (Venice, Greece), 11 x 462009;2009

F 20

Don’t Leave New York This Summer (Guggenheim, Central Park), 11 x 462009;2009
We Offer You Two Kinds of Summer This Summer, 11 x 462009
We Offer You Two Kinds of Summer This Summer (Central Park and Avignon), 46 x 302009
We Offer You Two Kinds of Summer This Summer (Central Park and Venice), 46 x 302009

Bulletin - Fall 2009Fall 2009
Printmaking, 11 x 462009;2009
Web Design, 11 x 462009;2009
Photography, 11 x 462009;2009
What Do You Really Want to Do?, 11 x 462009
Continue, 37 x 772007?

Bulletin - Winter 2010 (Obama Inaugural Address quote)Winter 2010

Summer Session 1960 (It’s Not the Weather, But the Atmosphere That Counts)1960 Summer

Bulletin - Summer 2010Summer 2010

Bulletin - Fall 2010Fall 2010

Bulletin - Spring 2011Spring 2011

Bulletin - Summer 2011Summer 2011

F 20

We Offer You Two Kinds of Summer This Summer: There - Venice: Here - Guggenheim, 22 x 212009
Don’t Leave New York This Summer, 22 x 212009

F 20

Leave New York This Summer (Greece), 22 x 212009

F 21

The SVA Summer: There’s a good chance wherever you’re headed we’ll be there too: Urbino, Barcelona, London, Greece, Korea, NewYork, 24.5 x 171991

F 21

Summer in New York (snow cone / ice cream), 17 ½ in W x 24 ½ in H1986

F 24

Don’t let another year go by in a job that’s going nowhere: Begin 1984 at the Visual Arts Winter Workshops, 22.25 x 151983

F 24

Computer Graphics at Visual Arts this Winter, 17 x 241984

F 24

Craft Arts poster (1986), 21.5 x 13.751986

F 24

Interior Design at Visual Arts, 17.25 x 121988

F 23

Summer 1988: Program for High School Students, 24.5 x 121988

F 23

Pre-College : If you’re good at art in high school, Visual Arts will help make you even better, 12 x 24.51990

F 23

Free Photography Darkroom Workshop for High School Students, 21.75 x 121981

F 23

Get the credit your artwork deserves (medal), 23 x 141983

F 23

The School of Visual Arts Presents: Visual Arts Summer in the Arts and Communications: College Credit for High School Juniors & Seniors, 18 x 23.251983

F 23

This summer find out if what you like to do now, can be a career you’ll love later. (hand on palette), 17 x 241985

F 23

This summer find out if what you like to do now, can be a a life you’ll love later (purple and green type on black), 17.25 x 23.251985

F 23

Summer 1989: Program for High School Students, 24.5 x 121989

F 23

This summer find out if what you like to do now, can be a career you’ll love later. (paintbrushes), 22 x 171987

F 18

The School of Visual Arts Introduces A Creative Summer in Woodstock, 22.25 x 14.51983

F 28

Special Summer One Week Courses, 17 x 24.251984

F 28

Spend this summer painting with us in New York, 24 x 17.51982

F 24

English as a Second Language, 22 x 151991

Bulletin - Fall 2011 (“Heart”) (see notes for other variations)Fall 2011

SVA @ NYC To Be Continued: Division of Continuing Education Viewbook (2011)2011

Bulletin - Spring 2012Spring 2012

Bulletin - Fall 2012Fall 2012

Bulletin - Summer 2012 (The ABCs of SVA + Alphabet)Summer 2012
Advertising, 11 x 462009
Filmmaking, 11 x 462009
Find the Continuing Education class (and instructor) that could positively influence your life at www.sva.edu/ce (pen and ink drawing), 11 x 462010
Find the Continuing Education class (and instructor) that could positively influence your life at www.sva.edu/ce (camera lens), 11 x 702010
Find the Continuing Education class (and instructor) that could positively influence your life at www.sva.edu/ce (lips), 11 x 462010
Teach (painting), 11 x 462010
Teach (camera), 11 x 702010
Inspire (computer graphics), 11 x 702010
Inspire (fibers), 11 x 462010
Do (camera lens), 11 x 462010
Do (paintbrush), 11 x 702010
Influence (drawing), 11 x 702010
Influence (computer graphics), 11 x 462010

F 26

Summer Programs In Manhattan, 24 x 18

F 2

School of Visual Arts Savannah : Now you can go to a New York school , without going to New York, 24 x 18

F 18

Wilde : A Special One Week Course for Graphic Designers and Art Directors, 17 x 241992
Glaser, 16 x 231978

F 17

I teach & I do : Kerry Kehoe, 22 x 212010

F 17

I teach & I do : Susan Linss, 22 x 212010

F 22

I teach & I do : Valarie Smaldone, 22 x 212010

F 22

I teach & I do : Peter Hristoff, 22 x 212010

F 27

I teach & I do : Tom Motley, 22 x 212010

F 24

I teach & I do : Tim Mckee, 22 x 212010

F 24

You only get two, three, maybe four lives. Isn’t it time you got started on the next one?, 22.5 x 211997

F 24

You’re entitled to one phone call (tally marked desk), 22 x 21

F 24

All is not lost. You just haven’t found it yet., 22 x 211997

F 24

You can get there from here, 22 x 211997
Pre-College : School of Visual Arts Pre-College2012
Pre-College Program2011;2012;2010

Pre-College Programs: Summer Seminars: School of Visual Arts / Savannah: June 19 - June 30 19951995

Pre-College Program: Saturday Seminars: October 14 - December 9 , 19951995

Pre-College Program: Summer Seminars: July 6 - July 26 , 19951995

Pre-College Program: Saturday Seminars: February 24 - May 4 , 19951995

Pre-College Program: Saturday Seminars: October 5 - December 14 , 19961996

Pre-College Program: Saturday Seminars: February 22 - April 26 , 19971997

Pre-College Program: Summer Seminars: Seeing Life Through the Eye of Innovation: July 7 - July 25 , 19971997
Pre-College Program : Saturday Seminars : October 22 - December 17 , 19941994
Pre-College Program : Programs for High School Students 2007 - 20082007 - 2008
Pre-College Program : Summer 1989 : Programs for High School Students1989
Pre-College Program : For High School Students : Fall 2008 - Spring 20092008 - 2009
Student Art from the ESL Summer Studio WorkshopUndated
Pre-College Program : Fall 2006 - Summer 20072006 - 2007
Pre-College Program : Fall 2005 - Summer 20062005 - 2006
Pre-College Program : Fall 1999 - Summer 20001999 - 2000
Pre-College Programs for High School Students2004 - 2005
Pre-College Program for High School Students : Fall 2002 - Summer 20032002 - 2003
Pre-College Programs for High School Students : Fall 2003 - Summer 20042003 - 2004

Pre-College Program: Explore and Experience the Center of the Art World: Summer Seminars : July 6 - July 26 19941994

Pre-College Foundation Program: Explore and Experience the Center of the Art World: Summer Seminars: July 12 - July 30 , 19931993
Pre-College Program for High School Students : Art is... And Then... : Fall 2001 - Summer 20022001 - 2002
Student Guide : Winter / Spring 19951995
Student Guide : Fall 19951995
Student Guide : Summer 19951995
Student Guide : Fall 19961996
Student Guide : Winter / Spring 19961996
Student Guide : Summer 19931993
Student Guide : Winter / Spring 19931993
Student Guide : Summer 1994
Student Guide : Winter / Spring 19971997
Student Guide : Summer 19981998
Student Guide : Fall 19981998
Student Guide : Fall 20002000
Student Guide : Summer 19991999
Student Guide : Summer 20002000
Student Guide : Spring 20012001
Student Guide : Summer 20012001
Student Guide : Fall 20072007
Student Guide : Spring 20082008
Student Guide : 2009
There / Here : We Offer You Two Kinds of Summer This Summer2009
Summer is Coming : We offer you two kinds of summer this summer2008
Summer Residency Program : 20112011
Summer Residency Program : 20102010
Summer Residency Program : 20092009
Summer Residency Program : 20082008
Summer Residency Program : 20052005
Summer Institutes : In the Bershires (House behind the trees)undated
Summer Institutes : In the Bershires (woman painting in a field)undated

Bulletin - Winter 2013 (Conceive, Create, Contribute)2013

Bulletin - Spring 2013 (Conceive, Create, Contribute & Visualize, Synthesize, Vocalize )2013
We Offer You Two Kinds of Summer This Summer: Here (NYC) There (Avignon), 11 x 462009

2013 Summer Residency Programs catalog2013

Bulletin - Fall 20132013

Bulletin - Summer 20132013

SVA @ NYC To Be Continued: Division of Continuing Education Viewbook (2012)2012

F 23

School of Visual Arts Saturday Pre-College Program, 12 in W x 24 in H1990

F 24

Summer Session, Day and Evening, 1962 (sunglasses), 17 ½ in W x 15 ½ in H1962

Bulletin - Spring 2014 (Continuing...)Spring 2014

Bulletin - Winter 2014 (Continuing...)Winter 2014

SVA @ NYC To Be Continued: Division of Continuing Education Viewbook (2013)2013

Pre-College Program : Fall 2013 - Summer 20042013-2014

Bulletin - Spring 2010 (Obama Inaugural Address quote)Spring 2010

Bulletin - Winter 2005Winter 2005

Bulletin - Winter 2002Winter 2002

Bulletin - Summer 2015Summer 2015

Bulletin - Fall 2015Fall 2015

D OS

How to find the idea, how to find the words to express it course announcement1960s

D OS

Design Course course announcement1960s

D OS

Figure Indication (”Having figure problems?”) course announcementFall 1963?

D OS

History of film, GE-116 course announcementSummer 1964

D OS

Comprehensive Rendering course announcement1964

D OS

Figure Indication course announcement1964

Music and Sound for Film, EVA-109 course announcementSpring Evening 1968

Television Advertising Art (film), 9 ¾ in W x 6 ½ in H1960s

Bulletin - Spring 2015Spring 2015

Bulletin - Winter 2015Winter 2015

Bulletin - Fall 2014Fall 2014

Bulletin - Summer 2014 (What's Your Story?)Summer 2014

Spring Session - Day Session and Evening Session Spring 1961Spring 1961

2012 Summer Residency Programs2012

Bulletin - Spring 2016Spring 2016

Bulletin - Winter 2016Winter 2016

Bulletin - Spring 1993Spring 1993

Bulletin - Spring 1994Spring 1994

Bulletin - Spring 2009 (SVA to help see possibilities -- eye chart)Spring 2009

Bulletin - Summer 2016Summer 2016

Bulletin - Fall 2016Fall 2016

School of Visual Arts Division of Continuing Education Bulletin - Winter 2017Winter 2017

School of Visual Arts Division of Continuing Education Bulletin - Spring 2017Spring 2017

D 51 F 18

D 80 F 1

Wilde: A Special One Week Course for Graphic Designers course announcementSummer 1991

School of Visual Arts Division of Continuing Education Bulletin - Summer 2017

Bulletin - Summer 1972, Evening SessionSummer 1972

Bulletin - Spring 2018Spring 2018

Bulletin - Fall 2017Fall 2017

Continued: Division of Continuing Education Newsletter Winter 2018Winter 2018

School of Visual Arts Fall 1962 Bulletin Evening Session poster / mailer, 24 in W x 18 in H1962

Spring Session Evening 1965 poster / brochure1965

Summer Session 1965 mailer1965

Bulletin - Summer Evening Session 1963 brochure1963

School of Visual Arts Division of Continuing Education Bulletin - Fall 2017

Continued: Division of Continuing Education Newsletter Spring 2018Spring 2018

Bulletin - Summer 1967, Day & Evening Session1967

Craft Arts poster (1987), 14 in W x 22 in H1987

Bulletin - Spring 2018Spring 2018

Continued: Division of Continuing Education Newsletter Summer 2018Summer 2018

Microcomputer Career Institute mailer1985

B 1

Progressive Agency Art Direction (“The New Image of Art Direction”) (blank) course announcementFall 196?

B 1

Humorous Illustration course announcementSpring 196?

B 1

Humorous Art course announcementSummer 196?

B 1

8MM Film Production for High School Students course announcement196?

B 1

Print television promotion course announcementFall 1964

B 1

Art and Copy, E-201 (”They may look different, but they have the same point of view ”) course announcement 1960s

B 1

Art and Copy: The Totally Effective Ad, E-201 (”Are effective ads made by tacking words to a picture?”) course announcementSummer 1963

B 1

Workshop Course in Comic Art: Squigglyman Meets Captain Cross-Hatch course announcementFall 1963 ?

B 1

Workshop Course in Comic Art: The Further Adventures of Squigglyman and Captain Cross-Hatch course announcementFall 1963?

B 1

History of film, GE-116 course announcementFall 1964

B 1

Art direction and copywriting: “Advertising Students: Here’s your first assignment for the class given by Al Amato and Jerry Della Femina.” course announcementSummer 1964

B 1

Workshop Course in Comic Art: The Further Adventures of Squigglyman & Captain Cross-Hatch course announcementFall 1964

B 1

Copy and Concepts for Advertising (”You need words to get action”) course announcementSummer 1964

B 1

Advertising Ideas (“It’s how you say it that counts”) course announcementFall 1964

B 1D OS

History of the Motion Picture, SGE-116 course announcementSummer 1964

B 1

The Thriller!, GE-116 course announcementFall 1965

B 1

Thriller!, GE-116 course announcementSpring 1965?

B 1

Directing Actors for Film: What are actors doing in art school? Acting is a visual art. course announcementSummer 1965

B 1

Directing Actors, EVA-105 (“Robert Brady Directs Directors”) course announcementFall 1966

B 1

History of Photography, 6E-106 course announcement1966?

B 1

Comedy and Film, EVA-107 course announcementSpring 1968

B 1

Directing Actors for Film: Robert Brady Directs Directors, 12 in W x 18 in HFall 1965

B 2

Ivan Chermayeff and Tony Palladino: A design course intended to improve and broaden seeing in relation to other matters course announcement (yellow), 28 ½ in W x 22 ½ in H1960s

B 2

Advertising That Isn’t For Portfolios, 318 (“$28,000-a-year Art Director in Suicide Plunge”) course announcementFall 196?

B 2

Design course (apple) course announcementSpring 196?

B 2

Design course (eyes) course announcementSpring 196?

B 2

Design course (pencil) course announcementSpring 196?

B 2

Design course (CpHaElRlMaAdYiEnFoF) course announcementSpring 196?

B 2

Advertising design (black curves) course announcementFall 196?

B 2

Advertising design (right angles) course announcementFall 196?

B 2

Advertising design (torn paper) course announcementFall 196?

B 2

Design (misaligned type) course announcementSpring 196?

B 2

Design (mirror image type) course announcementSpring 196?

B 2

Design (double type) course announcementSpring 196?

B 2

Advertising concepts (”Would you still be saluting this symbol?”) SE-313 course announcementSummer 196?

B 2

Give me an idea: concepts in advertising course announcementFall 196?

B 2

The Method: How to use your own experiences to create dramatic selling ideas course announcement196?

B 2

Advertising Design course announcement, 21 ½ in W x 17 ½ in HFall 1963

B 2

Focusing and Exposing Ideas: Creative Photography, E206 course announcementSpring 1964

B 2

Fashion Illustration course announcementSpring 1964

B 2

How To Build a Better Portfolio (blueprint) course announcementFall 1965

B 2

Advertising Retouching E-142 course announcementFall 1965

B 2

The Method: How to use your own experiences to create dramatic selling ideas: 2nd Smash Year! course announcementFall 1965?

B 2

Stars and the Cinema course announcement (Marilyn Monroe), 12 in W x 17 ½ in HFall 1971

B 2

D 80 F 1

Painting Techniques of Five Great American Illustrators, a Seminar course announcementSummer 1979

B 2

Advertising design (black curves) course announcement [Duplicate]Fall 196?

B 2

You've Got to Be a Good Assistant First course announcement (man in chains), 14 ½ in W x 24 in H1970s?

B 3

Advertising Photography course announcementSummer 196?

B 3

Rapid action figure indication (black smear) course announcementFall 196?

B 3

Rapid action figure indication (black line drawing) course announcementFall 196?

B 3

Gips versus Klein: Advanced Advertising Graphics course announcementSummer 1963?

B 3

Rendering Techniques196?

B 3

New course in design for professionals only course announcement196?

B 3

On Teaching: Two Instructors Review One Another” course announcementFall 1963

B 3

Designing for the Written Word course announcementSpring 1963

B 3

How to Make Ads (”Naturally, good visual concepts, good typography and good taste, will be emphasized but must remain the secondary factors.” course announcementSpring 1963

B 3

Elementary Printing Production, E-116 course announcementFall 1964

B 3

A Visual Symposium - workshop conducted by Ivan Chermayeff and Milton Glaser. “During the course of the school year members will produce a publication under the direction of Henry Wolf . . . and Clay Felker . . . A film will be produced under the direction of Lee Savage of Elektra Films” course announcementFall 1964

B 3

Advertising Typography course announcement ("Avertising Typograpathy")Fall 1964

B 3

Comprehensive Rendering and Figure Indication (”between your desire to render comps...” course announcementFall 1964

B 3

How to Make Ads (”Do a layout”) course announcementFall 1964

B 3

The Best. Milton Glaser and Henry Wolf will assist a hand-picked group of designers to produce 10 graphic statements during the year course announcementFall 1964

B 3

How to Make Ads (”Memorize this”) course announcementSpring 1964

B 3

Figure Indication and Comprehensive Rendering (”How many times...?”) course announcementFall 1965

B 3

Typography for Advertising E-110 course announcementFall 1965

B 3

The School of Visual Arts Presents its 16 Best Ideas course announcementFall 1965

B 3

Elementary Printing Production, E-116 course announcementSpring 1965

B 3

Drawing for Magazines, E-215 course announcementFall 1966

B 3

The Comedy Film course announcementFall 1966

B 3

Glaser: summer workshop course announcementSummer 1983

B 3

Glaser: summer workshop course announcementSummer 1984

B 3

Glaser: summer workshop course announcement1985

B 3

Glaser: summer workshop course announcementSummer 1986

B 3

Glaser: summer workshop course announcementSummer 1987

B 3

Glaser: summer workshop course announcementSummer 1988

B 3

Glaser: summer workshop course announcementSummer 2000

B 3

Glaser: summer workshop course announcementSummer 2009

B 3

Promotion and Packaging course announcementFall 1965

B 4

Graphic Design in Motion course announcementFall 196?

B 4

Writing for the Screen, EVA-106 (“Does Dan Greenburg have anything to say?”) course announcementSpring 196?

B 4

Photojournalism and Human Values, E-109 course announcement196?

B 4

Art Direction Inside an Agency course announcement1960s

B 4

Layout Techniques course announcement1960s

B 4

Graphic Design in Motion course announcement1960s

B 4

Advertising Concepts: E202 (Make a six ad campaign) course announcementFall 1963

B 4

Drawing, E-203 course announcementSpring 1964

B 4

Advertising Concepts: E202 (Advertising without selling ideas, is page decoration) course announcementSpring 1964

B 4

Design concepts for TV commercial films (E-224) course announcementFall 1964

B 4

Design concepts for Television Commercial Films, E224 course announcementSpring 1964

B 4

Printmaking course announcementSpring 1964

B 4

Advertising Concepts: E202 (Art Director’s Assistants) course announcementFall 1964

B 4

Graphic Arts Production, E-116 course announcementSpring 1964

B 4

Advanced Children's Book Illustration course announcementFall 1965

B 4

TV Storyboards course announcementFall 1965

B 4

Textile Design E- 170 course announcementSpring 1965

B 5

The Best $250 Your Company Ever Spent on Advertising (brochure for SVA Advertising Seminar and Workshop)1978

B 5

So, You Want to Break Into Advertising? course announcement

B 5

Progressive Agency Art Direction (yellow) course announcementSpring 196?

B 5

Humorous Illustration: “Who was that lady I saw you with last night?” course announcementSummer 1960

B 5

Basic Photography, E-106 E-106B course announcement196?

B 5

Design Concepts for T.V. Commercial Films (child’s handwriting) course announcementFall 1965

B 5

Progressive Agency Art Direction (”The New Image of Art Direction”) (lines) course announcementFall 196?

B 5

Color Photography E-108 course announcement1960s

B 5

Advanced Photography, E- 206 course announcement1960s

B 5

A Visual Jam Session course announcement1960s

B 5

The Thinking Behind the Graphics We Do course announcement1960s

B 5

Photographic Concept and Technique (”Some people say Sokolsky has X-ray eyes. Others doubt it.”) course announcement1960s

B 5

Department of Audio Visual Arts (Lew Sayre Schwartz, head) - “Some of the drawbacks of our audio visual courses” course announcement1960s

B 5

Design and Production of a Magazine course announcementFall 1961

B 5

Ads With Meaning (“If I weren’t a copywriter, I’d be an art director. If I weren’t an art director, I’d be a copywriter.”) course announcementFall 1963

B 5

Television Advertising Art, The Short Film, and Graphic Design in Motion (“Ladies Kindly Remove Your Hats”) course announcementSpring 1963

B 5

Ads With Meaning (“I’m looking for the first 30 serious applicants”) course announcement1964 or 1965

B 5

Photography course (“The only other mistake you can make . . .”) course announcementFall 1964

B 5

Film Design: Theatrical, Television Agency, and Commercials, E-223 course announcementFall 1964

B 5

The Practice of Type Direction, E-110A course announcementFall 1965

B 5

Advanced class in advertising (“This is a Unique Selling Proposition”) course announcementFall 1965

B 5

Men’s Fashion Illustration (“7 7/8, 48L, 17 1/2 - 36, 14 EEE, XL”) course announcementSpring 1965

B 5

Film Editing course announcement1965

B 5

Printmaking - Woodcut E-225 course announcementSpring 1965

B 5

16 Squares: Henry Wolf teaches a design class leading to a printed publication course announcementFall 1965

B 5

Ads with Meaning (”Read how to get a better job in advertising”) course announcementSpring 1965

B 5

Basic Film Production, SEVA-100 course announcementSummer 1966

B 5

Introduction to Film Editing, EVA-102 and Advanced Film Editing (Sound Editing), EVA-202 course announcementFall 1966

B 5

Advertising Retouching Techniques, E-142 course announcementFall 1966

B 5

Advanced Photographic Techniques, E-306 course announcement1966 - 1967

B 5

Summer Session Classes by Jack Potter: Drawing and Thinking E-320, Fashion Drawing E-331, Painting E-126 course announcementSummer 1966

B 5

Design Concepts for Television Commercials course announcementFall 1966

B 5

Seminar for Filmmakers course announcementFall 1966 and Spring 1967

B 5

The Art Director and Photographer at Work course announcementFall 1970

B 5

The Techniques of 8MM Film Production course announcement1971

B 5

Truth and Humor: The Surviving Values. An Experimental Workshop Conducted by Henry Wolf course announcement1971

B 5

Process in Illustration: A Personal Portfolio Workshop with James McMullan course announcementSummer 1978

B 5

Gil Stone Workshop course announcementSummer 1979

B 5

Gil Stone Workshop course announcementSummer 1980

B 5

Breaking In (So you want to break into Advertising? Learn how this summer from the man who wrote the book) (Visual Arts Summer in New York) course announcementSummer 1982

B 5

James McMullan’s High-Focus Drawing: A Special Workshop for Teachers course announcementSummer 1989

B 5

D 80 F 1

Conscious Awareness For The Twentieth Century Man course announcement

B 5

D 80 F 1

Writing better commercials for T.V. (“I can build you into a stronger, vibrant, powerful more interesting writer in only sixteen weeks”) course announcement1970s

B 5

D 80 F 1

Henry Sandbank: How He Works course announcement1970s

B 5

D 80 F 1

The James McMullan Portfolio Workshop: Developing Genuine Style course announcementSummer 1980

B 5

D 80 F 1

The Photography Class course announcementSummer 1980

B 5

New Approach to Film Production - Summer Day Session course announcement, 12 in W x 18 in H1970?
School of Visual Arts Archive > 5 Provost/Academic Affairs > 5.2 Continuing Education > 5.2.1 International Studies
LOC TITLE DATE
Painting in Urbino, Italy (The Three Graces by Raphael), 24 x 171988
Visual Arts Has Five Different Ways You Can Find Out What’s Going on Over There. (Urbino, Barcelona, London, Paris, Greece), 22 x 171990

F 6

Inspiration. Results. (Urbino and Barcelona), 24 x 171992
Design Visions: School of Visual Arts Summer in Ireland 19821982

F 2

Paul Bowles: A Writing Workshop in Morocco, 15.5 x 171982;n.d.

Morocco Photography: An extraordinary three weeks or siex weeks with: Ralph Gibson, Art Kane, Mary Ellen Mark, Duane Michals, Neal Slavin, 22 in W x 15 ½ in H1983

F 1

Morocco Graphic Design: An extraordinary three weeks with: Marshall Arisman, Ed Benguiat, Milton Glaser, Eileen Hedy Schultz, 15.5 x 221983

F 1

Morocco Painting: Louise Bourgeois, Brice Marden, Keith Milow; Photography: Ralph Gibson, Art Kane, Mary Ellen Mark, Duane Michals, Neal Slavin; Graphic Design: Marshall Arisman, Ed Benguiat, Milton Glaser, Eileen Hedy Schultz; Creative Writing: Paul Bowles, Regina Weinreich, 15.5 x 221983
Morocco: School of Visual Arts Summer in Morocco. Photography: David Attie, Abby Robinson; Painting: Bruce Boice, Michael Goldberg; Islamic Studies: Thomas Whitcomb, Ph.D.; Islamic Art: Judith Lerner, Ph.D.; Creative Writing: Paul Bowles, Frederic Tuten, Ph.D., 15.5 x 221982

F 7

This Summer, Balance Serious Work with Travel and Renewal: Greece (Barcelona, Berlin, Florence, Greece, Rome, Southern France, Shanghai, Venice) - Balconies at Casa Batllo, Barcelona, 17 x 112009

F 7

This Summer, Balance Serious Work with Travel and Renewal: Florence (Barcelona, Berlin, Florence, Greece, Rome, Southern France, Shanghai, Venice) - Kurfurstendamm, Berlin, 17 x 112009

F 7

This Summer, Balance Serious Work with Travel and Renewal: Berlin (Barcelona, Berlin, Florence, Greece, Rome, Southern France, Shanghai, Venice) - Cupola Brunelleschi, Florence, 17 x 112009

F 7

This Summer, Balance Serious Work with Travel and Renewal: Barcelona (Barcelona, Berlin, Florence, Greece, Rome, Southern France, Shanghai, Venice) - Mykonos Town, Greece, 17 x 112009

F 8

This Summer, Balance Serious Work with Travel and Renewal: Rome (Barcelona, Berlin, Florence, Greece, Rome, Southern France, Shanghai, Venice) - Scooters, Rome, 17 x 112009

F 8

This Summer, Balance Serious Work with Travel and Renewal: Shanghai (Barcelona, Berlin, Florence, Greece, Rome, Southern France, Shanghai, Venice) - Night Lights, Shanghai, 17 x 112009

F 8

This Summer, Balance Serious Work with Travel and Renewal: Venice (Barcelona, Berlin, Florence, Greece, Rome, Southern France, Shanghai, Venice) - St. Benezet Bridge and Pope's Palace, Avignon, 17 x 112009

F 8

This Summer, Balance Serious Work with Travel and Renewal: Southern France (Barcelona, Berlin, Florence, Greece, Rome, Southern France, Shanghai, Venice) - Grand Canal and the Riatto Bridge, Venice, 17 x 112009
Urbino! Urbino! Urbino! (The Three Graces by Raphael), 24 x 171988

F 5

Advanced Painting in Urbino, Italy (The Three Graces by Raphael), 17 in W x 24 in H1988

F 6

Visual Arts has six ways to have the best summer of your life (Urbino: Painting; Barcelona: Painting; London: Graphic Design; Paris: Graphic Design; China: Photograph; Greece: Archaeology, 24 x 16.51989
Art History You Can’t Sleep Through: Greece, 24.5 x 12.51992

F 2

China Photography Workshop: Spend two weeks photographing the mysteries, the magic, the beauty of China, 17 x 201987
Ireland: Visual Arts Summer in Film in Ireland: Feature Film Directing with Robert Wise; Screenwriting with Ernest Lehman; Feature Film Directing with Walter Hill; Cinematography with Andrew Laszlo, 17 x 221982

F 3

Ireland Is Where All the Writers Come From? (Graphic Design in Ireland) Graphic Design Faculty: Milton Glaser, James McMullan, Eileen Hedy Schultz, Ed Beguiat, George McGinnis, Richard Wilde. Printmaking Faculty: Sandro Chia, Arakawa, Lucio Pozzi, 17 x 22.251992

F 9

Replenish your creative energy. Balance serious work with travel and renewal: Puerto Rico (Barcelona, Florence, Milan, Rome, Puerto Rico, Southern France/Provence, Shanghai, Venice - Canal Grande, Venice, 17 x 112010

F 9

Replenish your creative energy. Balance serious work with travel and renewal: Southern France/Provence (Barcelona, Florence, Milan, Rome, Puerto Rico, Southern France/Provence, Shanghai, Venice - Colosseum, Rome, 17 x 112010

F 9

Replenish your creative energy. Balance serious work with travel and renewal: Shanghai (Barcelona, Florence, Milan, Rome, Puerto Rico, Southern France/Provence, Shanghai, Venice - Arc de Triomf, Barcelona, 17 x 112010

F 9

Replenish your creative energy. Balance serious work with travel and renewal: Venice (Barcelona, Florence, Milan, Rome, Puerto Rico, Southern France/Provence, Shanghai, Venice - Storza's Castle, Milan, 17 x 112010

F 9

Replenish your creative energy. Balance serious work with travel and renewal: Florence (Barcelona, Florence, Milan, Rome, Puerto Rico, Southern France/Provence, Shanghai, Venice - Palais des Papes, Avignon, 17 x 112010

F 9

Replenish your creative energy. Balance serious work with travel and renewal: Barcelona (Barcelona, Florence, Milan, Rome, Puerto Rico, Southern France/Provence, Shanghai, Venice - Rinco, Puerto Rico, 17 x 112010

F 9

Replenish your creative energy. Balance serious work with travel and renewal: Rome (Barcelona, Florence, Milan, Rome, Puerto Rico, Southern France/Provence, Shanghai, Venice - Florence, Italy, 17 x 112010

F 9

Replenish your creative energy. Balance serious work with travel and renewal: Milan (Barcelona, Florence, Milan, Rome, Puerto Rico, Southern France/Provence, Shanghai, Venice - Shanghai, China, 17 x 112010

F 3

Ireland: Visual Arts Summer Workshops in Ireland poster, 24 x 171992

F 2

Visual Arts Summer in Morocco, 22.5 x 171981;1982;undated
Visual Arts Summer in Morocco Additional Information - Foreign Students1983
Renaissance Arts Tour of Italy1983

Visual Arts Summer Workshops in Ireland brochure1982

Visual Arts Summer in Film at The National Studios of Ireland (1982?)1982?
Arts Abroad1989;1990;1991
Summer Arts Abroad2004;2005;2009
MFA Design : Masters Workshop : Venezia Roma, 24 x 362011

Visual Arts Summer In Morocco catalog (1982)1982

Visual Arts Summer in Morocco catalog (1981)1981
Arts Abroad Programs : Barcelona , Florence , Istanbul , Nicaragua , Rome , Puerto Rico , Southern France , Provence , Shanghai , Venice2011
Summer Arts Abroad : France Italy Spain2008
Summer Arts Abroad : Florence , Greece , Barcelona2000;2001
Summer Arts Abroad : Barcelona , Florence , Istanbul2002
Summer Arts Abroad : Barcelona , Florence , Greece2003
SVA Summer Programs : Art and Archaeology of Ancient Greece , Painting in Barcelona , Painting in New York in-Studio Residency Program1997
Summer 1999 : Florence , Greece , Barcelona1999

Arts Abroad1991

Visual Arts Summer in Film at The National Studios of Ireland (1981)1981

F 2

Paul Bowles: A Writing Workshop in Morocco (1980), 17 in W x 23 in H1980

SVA Destinations2018