Accidents will happen
The tension between the accidental and the controlled is almost always present in the work of George Tscherny.

The tension between the accidental and the controlled is almost always present in the work of George Tscherny.
The 1964 course announcement for Henry Wolf’s and Melvin Sokolsky’s photography course at SVA manages to be both instructive and artful, assembling outtakes of the instructors’ portraits in a way that elevates them.
One regular advertiser in the Push Pin Graphic was Metropolitan Printing.
Deborah Hay and the graphics for her postmodern dance performances.
Milton Glaser’s architectural lighting and three-dimensional design for restaurants.
Milton Glaser got minimal for SVA’s 40th Anniversary logo.
A preview of James McMullan’s upcoming Masters Series show at the Visual Arts Gallery.
A tribute to the designer whose neon imagery and super sized environmental design changed the landscape of American design.
Some type-based design from Milton Glaser and Seymour Chwast.
James McMullan’s illustrations for Dutton’s paperback box set of The Alexandria Quartet, an ambitious mid-century novel tetralogy by Lawrence Durrell.
Shades of Yellow Submarine in Gian Carlo Menotti’s sci-fi opera for children Help, Help, The Globolinks!
In honor of summer wedding season we bring you Tony Palladino’s poster for “The Wedding Party.”
We are thrilled to add the work of Paul Sahre to our Design Study Collection.
Seymour Chwast’s intricate composition of his illustrations.
Chwast’s can for Diet Pepsi for the Christmas season integrated their 1986-1991 logo into Santa’s spectacles. As you can see in this photo, the rims of the glasses were left unpainted shiny aluminum to highlight the logo—the background behind Santa was also a checkerboard of white and silver. (Click through for full frame.)
Tony Palladino created this indelible image for an SVA poster in 1989.
Seymour Chwast’s series of irrational fears for Strathmore Paper.